a5c7b9f00b Society believes there should be no Superman because of his alien-like powers. Batman agrees and proceeds to take Superman down. Conversely, Superman fears that Batman's actions are reckless and tries to stop him. Meanwhile Lex Luthor, owner of Lex Corp, is plotting something that will destroy mankind! Will one of the heroes fall or will Lex Luthor take over Metropolis?
Fearing that the actions of Superman are left unchecked, Batman takes on the Man of Steel, while the world wrestles with what kind of a hero it really needs.
Opinions don't matter here; DC "fanboy" or Marvel, it doesn't which side you're rooting for or against, what matters are the facts. And the fact is when you have a movie that was such a mess on so many levels, where it had potential to be great, that it gave Ben Affleck Daredevil flashbacks and is causing Warner Bros. To reconsider their plans for a DC Cinematic Universe, things need to change. Fanboys for the movie will say it was perfect, when deep down even they know it was depressingly flawed. Fanboys against it won't give it any credit despite the movie having some good in it. Fanboying only hurts, it never helps. For me, it was disheartening to see characters and stories that I love be treated so poorly but it was justsad to see so many dedicated actors and set makers in a movie this sub-par. Most of the rumors you've probably heard are true; the pacing was slow, some acting performances were better than others, but what really got me was the characterization, narrative direction, and lack of technical prowess that really bogged this movie down. While I applaud Ben Affleck's performanceBatman, more on that later, the motives of the Batman he portrayed were more inline with a petulant child overreacting, rather than the cold, calculating, brooding detective that values life. Jessie Eisenbeg is a fine actor,and he's shown us his skill before, but his depiction of Lex Luthor felt like a poorman's Joker. And Superman….I long for the day when we'll see a charismatic, inspiring Action Ace. I don't blame actors, for I know they can deliver better performances if allowed. Instead,I question the source of their direction. Zack Snyder is an artist when it comes to visual spectacle, but his ability to create a compelling, coherent narrative is almost none existent. In any film, the inability to forge a narrative is a problem, but with a movie that's supposed to servethe launching point for an entire universe, bad storytelling is downright unacceptable. A major criticism I kept hearing was that this movie lacked heart. I think it did have heart but lacked direction and it suffered greatly for that reason. There's some hope for the future, Ben and Henry have potential to be great but they need better direction, the whole DCU needs it. Until they change things, DC will continue to achieve Pyyrhic victories with their films, raking in big bucks but tarnishing names and never fully realizing the potential their characters, stories, and storytellers have.
It's very hard to make a good Superman film and have us humans relate to him. In Man of Steel we had two invulnerable aliens fighting each other on earth and destroying everything around them, not easy to relate to at all. This movie manages to humanise Superman more and give us an opponent that is a challenge for him. Ben Affleck is excellentBatman and he represents all of us and how we would feel if this were real life. Wonder Woman is good but not used till the end but she looks like she loves the fight and will be back for more. Jessie Eisenberg is a good choice for Lex Luther and you watch his character become more unhingedthe movie progresses. I think audiences will love this film and it will do very well, even if the critics do not.
There are moments that make the whole enterprise worthwhile, and introduces an intriguing new Batman. But it’s also cluttered and narratively wonky; a few jokes wouldn’t have gone amiss, either.
Most newspaper cuts were made by Wallace Keefe (<a href="/name/nm1058940/">Scoot McNairy</a>) some time prior the movie eventsa way to menace and intimidate Bruce Wayne (<a href="/name/nm0000255/">Ben Affleck</a>) but they were never shown to him by his employees until it was too late,it was takenmere hate mail against him. Keefe had a heavy grudge against both Superman (<a href="/name/nm0147147/">Henry Cavill</a>) (for indirectly causing him to lose his legs during the fight against Zod in <a href="/title/tt0770828/">Man of Steel</a>) and Wayne (blaming him for his disgrace to the point of rejecting his aid payments). After Keefe vandalized Superman's statue, Lex Luthor (<a href="/name/nm0251986/">Jesse Eisenberg</a>) saw hima pawn for this schemes, using him to disturb and manipulate Batman into destroy Superman by providing the angry man resources, credibility for Senator Finch's audiences and supporting his menacing hate mail towards Wayne, including the final one that reads, "you let your family die". In the heliport, Luthor confronts Superman and references the newspaper cuts in quality of being the mastermind behind the whole affair. Prior to the movie's release, some people assumed the the Joker was behind the handwritten notes because of the similarity in handwriting to the spray painted message on the Robin suit in the Batcave. While clearly that's not the case, in the movie's theatrical cut it serveda proper red herring to both Wayne and the audience. The Dream at the Cave: Running away from his parents' funeral, young Bruce Wayne fell into a circular shaft leading to a cave, where he saw in vision hundreds of bats surrounding him and rising him above the darkness of the pit and back into the light. Bruce Wayne himself says in the movie that this dream propelled him into crime fighting, hoping to find the light… but it never happened. He became ruthless and,Alfred tells him, cruel, almost a villain when the movie starts. The movie shows how his perceived imminent risk to Superman makes him willingly kill in cold blood… but in the last moment, Superman shows him a better path, a redemption for his trauma upon the death of his parents via Martha Kent's rescue. The concept that this dream originated through supernatural means is never addressed, but it could be interpreted that Superman's example and, ultimately, his sacrifice makes Batman finally see "the light" of justice, becoming a little more humane (as demonstrated by not branding Lex Luthor in his cell) and thus starting his mission in search of other meta-humans in company of Wonder Woman, in order to "be united". On the other hand, this dream-like scene takes iconography Christopher Nolan introduced into the Batman mythos in The Dark Knight Trilogy, but with a twist, thus making it a tribute to Nolan's trilogy and his character's contributions inside the DC Expanded Universe.<br/><br/>The Creature in the Tomb: At some point of the movie, Bruce Wayne has a dream where he visits his parent's mausoleum and, while contemplating Martha Wayne's tombstone, a black liquid starts to pour from it. As he examines it, the tombstone bursts and a dark-skinned creature attacks him from inside. Wayne wakes up disturbed. Just like the Dream at the Cave, if this dream implies any supernatural element is not currently confirmed in the overall DC Expanded Universe, but it can be takenWayne's mind still trying to cope with his parent's death trauma. Furthermore, in an allegorical way, it could mean he is always subconsciously projecting his inner demons on his parents through the form of a humanized giant bat, thus not allowing him to get over it. Another way to look at it could be that somehow this dream is connected with the nightmare, the creature could be another vision of a para-demon or even a premonition/vision of the weight his mother's memories could make him realize Superman is not his enemy because, if he (Batman) lets Martha Kent die, the whole world will suffer the consequences.<br/><br/>The Knightmare: Waiting for the long process of decoding the hacked copy of Lexcorp files, Bruce Wayne falls asleep in front of the computer. Then, he has a dream/vision of a dystopic future where the world is barren, civilization is destroyed and Superman is leading an army of both human soldiers and winged creatures while armed with a pistol. On the ground a large Omega symbol has been carved. While trying to take possession of a kryptonite sample, Batman is captured. Superman confronts Batman saying that he "let her die" and then kills him, presumably by ripping his heart out. Wayne appears again in the Batcave but a red-masked man appears from some sort of portal, wondering if he came "too early" and saying to Wayne that he was "right about him" (not entirely clear if he meant about the latent danger Superman might pose, Lex Luthor, Doomsday or someone else) but Lois Lane (<a href="/name/nm0010736/">Amy Adams</a>) is the key to avoid such a future. Suddenly, Wayne "wakes up" wondering what has just happened. Elsewhere in the movie, Lex Luthor points to his father's apocalyptic painting in the wall and talks about "demons coming down from the sky"a red herring, since evidently he was not refering to Superman (he always refers to hima messianic figure or even "god") but to something else,he left the painting upside down before he had been taken into custody. Note the close similarity between the creatures in Batman's nightmares and the figures in the painting.<br/><br/>All these elements heavily imply that Batman's vision was caused somehow by a future Flash (<a href="/name/nm3009232/">Ezra Miller</a>) coming from a possible timeline when an inter-dimensional warlord called Darkseid has taken control of the Earth and Superman is now under his command due to Lois Lane's death. The winged creatures are called Parademons and are Darkseid minions. In the last scene, when Batman confronts Luthor in his supermax cell, Luthor keeps calling out about demons from heaven to Batman, emphasizing that he succeeded in his plan to "kill god" so that Darkseid's arrival turns out in the super-villain's victory. While this movie presents dreams and nightmaresa new element to Batman's psychology and it's never clearly stated why or how Batman has such a vivid, detailed vision of this possible future, it certainly becomes the "heart wench" he mentions to Diana Prince, the reason for them both to start looking for metahumans after Superman's sacrifice and be united, thinking such hideous future has been avoided but Darkseid's intervention has not, setting up the story for <a href="/title/tt0974015/">Justice League (2017)</a> (2017) and since it involves time travel, possibly <a href="/title/tt0439572/">Untitled The Flash Film (2020)</a> (2020)well. The Flash, from the future, comes to give Batman a warning. Most likely this warning is something that is to come in the next movie <a href="/title/tt0974015/">Justice League (2017)</a>. Apparently, he arrived too early,can be inferred from the the Flash saying, "Am I too soon?", [Yells] "I'm too Soon!" They didn't "just become friends" because their mothers have the same name. Batman stopped fighting because he started to see himself in Superman. He started to see Supermana human being who was trying to save his mother just like he would. Another Martha was in danger, and he wasn't about to let her die.Before its theatrical release, Warner Bros. spread the word that there would be an Ultimate Edition of Batman v Superman: Dawn of Justice on Blu-ray disc which contains an Extended Cut with 30 more minutes of footage. Zack Snyder announced that this extended cut was his director's cut. And that seems plausible because the new footage does not look like footage put in afterwards to make a few more bucks with a longer version. On the contrary, some of that footage is quite a loss for the theatrical version that needed to be removed for its theatrical release,to not push it because the theatrical version still runs approximately 2½ hours. As one can see in the following comparison, the extended version is definitely the better version. But there is a downsidewell: Narrativewise, the often criticized structure of the movie gets worse. Due to a lot of extended footage during the first half, the actual story regarding Batman v Superman starts with the Capitol scene after almost 90 minutes. Andalso criticized quite often, there is not enough time for the duel anymore before they team up to fight Doomsday in the big finale. Compared to the rest, the beginning is still too long but the warming phase is more satisfying and explained more reasonably in the extended cut. The scheme against Superman & Clark Kent's investigation was just too short in the theatrical version. Subsequent things suchthe short, rather mysterious introduction of Steppenwolf, which is obviously supposed to point to the Justice League, or the reversed censorings which got the extended cut the R-rating (which it deserves by the way) but without making it an incredibly brutal movie, make the result much more appealing. This is most likely to signify that what would've otherwise been characterized"The People v. Superman" like a court case but not necessarily a literal such is instead "Batman v. Superman". It connotes exactly that Batman is the one who has a bone to pick with Superman, but that the "verdict" doesn't necessarily have to be the triumph of one hero over the other like a sport or chess,it would suffice for Superman to merely get Batman to drop the "case" against him, which is what happens. This choice of syntax for a movie title describing a competitive match is somewhat unique; a departure from, for examples, the films The People vs. Paul Crump (1962), The People vs. Larry Flynt (1996), The People vs. George Lucas (2010), The People vs. Fritz Bauer (2015). An interesting bit of trivia is that there was a real Batman v. Commissioner case in the U.S. Fifth Circuit Appeals Court, back in 1951, the appealing party's whole name being Ray Batman. As there is no dot immediately following the "v", it also possible that the solitary letter may not be an abbreviation at all, that it signifies the symbol for the logic operator "or", which signifies union in set theory;in "Batman ∨ Superman" / "Batman ∪ Superman".
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